An odd piece of news last week was that Colombia is now one of the fastest-growing countries, popularity-wise, for Europeans to take a holiday to. The reason: series like

Narcos

show how beautiful that land is, and with the civil war gone (and the drug-news being scarier in Mexico), people are flocking to visit it.

A beautiful country it is indeed, and the film

Birds of Passage

will do little to dissuade that fact. Like

Narcos

it tells a story about Colombia's drug trade, but that's where all similarities end. Here, the focus lies on the indigenous people in the deserts of Northern Colombia, and how the sudden influx of money and violence changed them.

Birds Of Passage

starts with a song and a ritual. Zaida, a young Wayuu woman, prepares for adulthood and marriage, and a suitor appears. Her family demands a very high dowry, and the suitor, named Rapayet, sets about to collect it. A seemingly impossible task...

Then one day, Rapayet discovers that by selling marijuana to Americans in bulk, he can actually make enough money to achieve his goals. He returns to the Wayuu as a rich man, marries Zaida, and brings prosperity to her family. But as his wealth and influence grows, so do the stakes, and jealousy and greed rear their ugly heads. Worse even: the meaning of respect and traditions change.

Directed by Cristina Gallego and Ciro Guerra,

Birds of Passage

is an ode to the culture of the Wayuu. The depiction of the disappearance of a people's traditional identity through outside influences plays out like a tragedy, just as it did in their previous film

Embrace of the Serpent

(

of which you can read Patrick Holzapfel's review here

). Just check the difference between the way conflicts are settled at the beginning of the film, versus how they are settled at the end.

The early part of the film is almost a documentary about the Wayuu way of living as it was in the 1960s. It looks amazing, and while

Embrace of the Serpent

was in black and white, here we get bombarded with brilliant, bright color. Natalia Reyes and José Acosta make for a fine and likable central couple as Zaida and Rapayet, and their courtship initially seems like a legend or fairy-tale. Indeed, dreams, visions and premonitions play a part in the story, and while that approach could have been hokey, here it is just beautiful.

Birds Of Passage

could so easily have been just another rise-and-fall gangster tale, but Cristina Gallego and Ciro Guerra work wonders with the setting, the background and the focus of the story. By showing the beginning of the modern drug trade (rather than re-visiting its heyday again), and showing it from the point of view of the Wayuu, this film is something special indeed. Highly recommended!

Review originally published when Birds Of Passage played at the Shivers film festival in Konstanz, Germany, where it got into the audience-ratings Top-5. The film will enjoy a theatrical release in the U.S. via The Orchard, beginning today, Wednesday, February 13, 2019.